27.03.2019 | 18h30
The seventh and last edition of this series of conversations and screenings brings together the New York-based artist Judith Barry and the philosopher Giovanbattista Tusa, who will discuss Rainer Werner Fassbinder’s feature film Veronika Voss (Die Sehnsucht der Veronika Voss, 1982), the third episode of Fassbinder’s trilogy on Post-War West Germany, following after The Marriage of Maria Braun (1978) and Lola (1981). Veronika Voss tells the story of a once celebrated film diva unable to face the fact that her fame has faded away since the end of Hitler reign. Fallen into oblivion and denying the reality of which she was ‘the face’ – the Nazi-regime – she continues acting in a highly mannered way, drifts into drug addiction, and falls prey to a totally manipulative business-minded psychiatrist. Through an aesthetics reminiscent of American film noir, Veronika Voss captures the complex entanglements of collective and individual history, reality and its cinematic stylisation, the rough film business and the dream machine it represents.
Judith Barry (USA) is an artist and writer whose work combines a number of disciplines including installation and project-based research, architecture/exhibition design, film/video, performance art/dance, sculpture, photography, and digital media. She has exhibited internationally at such platforms as the Berlin Biennale, Venice Biennale(s) of Art/Architecture, Sharjah Biennial, Sao Paolo Biennale, Nagoya Biennale, Carnegie International, Whitney Biennale, Sydney Biennale, and Documenta, among others. Her publications include Body without Limits (2009), The Study for the Mirror and Garden (2003), Projections: mise en abyme (1997), and Public Fantasy (1991). Currently she is Director of ACT – the MIT Program in Art, Culture and Technology (Cambridge, MA).
Giovanbattista Tusa (Italy) is a philosopher and media researcher based in Lisbon, where he is currently a Researcher in Philosophy and Ecology at the Nova Institute of Philosophy (IFILNOVA), Universidade Nova de Lisboa. His latest work, De la Fin, co-authored with Alain Badiou, was published in France in 2017 and is currently under translation in English, Brazilian Portuguese and Spanish. His current multidisciplinary research examines radical politics, art, cinema, eco-criticism, ontological realism and animal studies, and contemporary practices.
Session duration: 150 Min. | M/16 | Entry is free and limited to the number of seats available.
For further information, please contact:
Tel: +351 21 352 11 55 | firstname.lastname@example.org
Co-organized by Ifilnova | CineLab - Laboratory of Cinema &…
Co-organized by CineLab - Laboratory of Cinema & Philosophy, EPLab…
Paulo José Miranda apresenta “O Chafariz das Virtudes ou O…
Sérgio Dias Branco apresenta “Os Lugares da Esperança”
Diego Hoefel apresenta "Reinvenções Dramatúrgicas do Melodrama no Cinema Contemporâneo:…
with Judith Barry and Giovanni Tusa
with Jean-Gabriel Périot and Alain Brossat
with Albert Serra and Alexander Garcia Düttmann
with Emily Wardill and Michael Marder
Patrícia Castello Branco apresenta "A experiência do Sublime no Cinema:…
with Maria Augusta Ramos and Patricia Mourão
with Alberto Toscano and Simon Thompson
with Renee Green and Ute Holl