17.12.2018 | 18h30
Goethe-Institut, Auditorium, Campo Mártires da Pátria 37, 1169-016 Lisbon, Portugal
Chekhovian Motifs (Chekhovskie motivy,2002, 120 Min.) by Kira Muratova
Discussion: Emily Wardill, Michael Marder
The forth programme takes place at the Goethe-Institut Auditorium and brings together artist Emily Wardilland philosopher Michael Marderin discussion around the screening of Chekhovian Motifs(Chekhovskie motivy, 2002), a film directed by the Ukrainian filmmaker Kira Muratova, who passed away last June. In preparing the film, Muratova comprehensively read the work of Anton Chekhov (1860-1904), reflecting on Chekhov’s motifs, themes and characters. Chekhovian Motifsis a free adaptation of two short texts: the tale Difficult People(1886) and the play Tatiana Repina(1889). Through a combination of hyper-realistic and stylized images, Muratova divides the tale in two parts, focusing on a rural family where a student is demanding money to cover the basic expenses related to his departure from home, while in the middle integrating the play in which a wealthy woman marries an opera singer whose former fiancée had committed suicide but returns to haunt the wedding. By bringing together professional and amateur actors, as well as participants from a television comedy show known for its slapstick and crude production quality, Muratova transforms the young man into an observer of the material and intellectual decay of the privileged social classes and a witness of a black and white mummified time evoking the art of silent film from the early years of cinema, when Chekhov's comedies of repetition that serve as the inspiration for the film were originally written.
Emily Wardillhas exhibited internationally, including her solo exhibitions at Gulbenkian Project Spaces (Lisbon, 2017); Bergen Kunsthall (2017), The National Gallery of Denmark, Copenhagen (2012); de Appel arts centre, Amsterdam (2010); Contemporary Art Museum St Louis (2011) and Institute of Contemporary Arts, London (2007–08). She participated in the Bienalle of Moving Images, Geneva (2016), 54th Venice Biennale (2011) and in group exhibitions at Hayward Gallery, London; Witte de With, Rotterdam; Museum Moderner Kunst Stiftung Ludwig Wien, Vienna; and Museum of Contemporary Art, Miami. In 2010, Wardill was the recipient of the prestigious Jarman Award and in 2011 The Leverhulme Award. She currently works as a Professor at Malmö Art Academy (Sweden).
Michael Marderis Ikerbasque Research Professor in the Department of Philosophy at the University of the Basque Country, Vitoria-Gasteiz. His work spans the fields of phenomenology, environmental philosophy, and political thought. He is the Associate Editor of ‘Telos: A Quarterly Journal of Critical Thought’ and the author of twelve books, including 'Heidegger: Phenomenology, Ecology, Politics' (2018), ‘Energy Dreams: Of Actuality’ (2017), ‘Dust’ (2016), ‘Pyropolitics: When the World Is Ablaze’ (2015), ‘Phenomena-Critique-Logos: The Project of Critical Phenomenology’ (2014), ‘Plant-Thinking: A Philosophy of Vegetal Life’ (2013), ‘The Philosopher's Plant: An Intellectual Herbarium’ (2014), ‘Groundless Existence: The Political Ontology of Carl Schmitt’ (2010) and ‘The Event of The Thing: Derrida's Post-Deconstructive Realism’ (2009).
Session duration: 150 Min. | M/12 | Entry is free and limited to the number of seats available.
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